Rear View Window
The movie Rear Window (1954) was debut at the Rivoli theater in New York, with over 2000 members of the social and entertainment world and United Nations members in the audience. A fundraiser for the American-Korean Society was held. Alfred Hitchcock for Paramount Pictures directed the film. The screenplay written by John Michael Hayes, was adapted from a short story or novelette, It Had To Be Murder (1942), by Cornell Woolrich (pen-name William Irish). The movie was a recipient of four Academy Awards nominations, best cinematography, best director, best screenplay and best sound, yet won no Oscar.
The story takes place in a world renowned photographer's apartment, Jeff (James Stewart), who is now in a wheelchair with casts on both legs after an accident. His incurable curiosity and voyeurism is the reason, we are told, that he was injured in the first place. This sets up the movie to be seen from Jeff's viewpoint throughout. He is a prisoner inside his apartment.
To amuse himself, he starts to look into his neighbors windows across the way. He becomes the cat sitting in the window, except this cat uses binoculars. The binoculars are much like the camera he uses in his profession to capture others in action whilst unaware of his lens. Here, the neighbors have no idea they are being spied on and listened to from a dark apartment across the way, Jeff's apartment.
Jeff is criticized by his girlfriend, Lisa Fremont (Grace Kelly) and nurse, Stella (Thelma Ritter), for spying on people and getting involved in things that are private to his neighbors. His excuse? What else does he have to do?
One evening, his nosiness gets him involved in one of the neighbors marriages. He notices the wife is missing and he has not seen her for days. Jeff starts to imagine foul play. He draws Lisa and Stella into his suspicions. The investigation from the three takes flight as they start finding clues, spying and piecing things together that indeed make them question whether the neighbor's wife is on a trip out of town or foul play has taken place.
Alfred Hitchcock shoots the film totally from the perspective of the main character, Jeff. Who just happens to be a photographer, which gives Hitchcock the freedom to use sweeping shots and close-ups, etc. since the shots are from a photographers eye.
Hitchcock leads us on a journey with Jeff by showing us the small world from within his apartment that has become a murder mystery on the rise. With colors, sounds, lighting and well place scenes and shots, we are taken on a roller coaster ride of intrigue, human passions and questions. Where is the neighbors wife? Why is he acting so strangely?
It all leads the characters into an investigation which may get them arrested or worse yet, killed. All because a bored, injured photographer was looking out his rear window. Quite a thriller!
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